My
work, more than spread a message, transmit an emotion. Just as the musical
sound is perceived in abstract way, without the nuances that would be
established to express in open air or in an enclosed space, alone or with other
instruments; my paintings, drawings and sculptures are created from the
undeniable relationship between color, shape and volume, their arrangement is
due more to intuition that the reasoning, have an internal rhythm that —like
the violin sound or any instrument— do not hold specific details.
I understand the abstraction as an activity that promotes meaning: I pretend that abstracted produces in the viewer a reality; however must be a reality rather than being perceived by the view must be envisioned by the commotion. As the same form that I confront myself when creating, I want the spectator observes my work, feel the supremacy of the imagination, choose the emotion than reason; to enter into a reciprocal game of Universe to a man, from men to Universe, then allowing mobility inherent to the spirit.
I understand the abstraction as an activity that promotes meaning: I pretend that abstracted produces in the viewer a reality; however must be a reality rather than being perceived by the view must be envisioned by the commotion. As the same form that I confront myself when creating, I want the spectator observes my work, feel the supremacy of the imagination, choose the emotion than reason; to enter into a reciprocal game of Universe to a man, from men to Universe, then allowing mobility inherent to the spirit.